works
Chamber
compression study 3 (2020)
for violin, viola, and networked electronics
phenology (2020)
for piano, bass, and percussion
nested forms (2018)
for yMusic (flute, clarinet, trumpet, violin, viola, cello)
through fog (2016)
for Altius Quartet (string quartet)
for i believed in the existence of... (2015)
for Slipstream (soprano sax, piano/melodica, electric guitar, percussion, and electronics)
drops on a living surface (2014)
for two piccolos and electronics
why are you all sitting so quietly (2013)
for NOW Ensemble (flute, clarinet, el. guitar, piano, bass)
compression study 3 (2020)
for violin, viola, and networked electronics
phenology (2020)
for piano, bass, and percussion
nested forms (2018)
for yMusic (flute, clarinet, trumpet, violin, viola, cello)
through fog (2016)
for Altius Quartet (string quartet)
for i believed in the existence of... (2015)
for Slipstream (soprano sax, piano/melodica, electric guitar, percussion, and electronics)
drops on a living surface (2014)
for two piccolos and electronics
why are you all sitting so quietly (2013)
for NOW Ensemble (flute, clarinet, el. guitar, piano, bass)
Solo
compression study 2 (2020)
for alto saxophone and networked electronics
compression study 1 (2019)
for percussion and networked electronics
balance piece (2018)
for cello
balance piece 2–4 (2018)
for piano
Sestina(after Pound) (2016)
for violin and optional electronics
Out, out- (2013)
for flute and electronics
compression study 2 (2020)
for alto saxophone and networked electronics
compression study 1 (2019)
for percussion and networked electronics
balance piece (2018)
for cello
balance piece 2–4 (2018)
for piano
Sestina(after Pound) (2016)
for violin and optional electronics
Out, out- (2013)
for flute and electronics
Vocal
the be able to be not (2016)
for Lilith (soprano, clarinet, viola, piano, percussion, and optional electronics)
an eagle flew (2015)
for soprano, viola, flute, and piano
a last look (2015)
for mezzo-soprano, violin, cello, percussion, piano, and electronics
Vocal
the be able to be not (2016)
for Lilith (soprano, clarinet, viola, piano, percussion, and optional electronics)
an eagle flew (2015)
for soprano, viola, flute, and piano
a last look (2015)
for mezzo-soprano, violin, cello, percussion, piano, and electronics
Large Ensemble
currents (2017)
for beginning-level concert band and electronics
a lost space (2016)
for mezzo-soprano, chamber orchestra, and electronics
what you leave behind (2014)
for orchestra
three frames (2013)
for chamber orchestra
currents (2017)
for beginning-level concert band and electronics
a lost space (2016)
for mezzo-soprano, chamber orchestra, and electronics
what you leave behind (2014)
for orchestra
three frames (2013)
for chamber orchestra